一定要在电视剧的后劲过后看此片唤醒夜晚的意识恐惧和欲望怪异的梦中剧场和小镇人物笼罩家中的病态氛围和父亲给母亲灌下的一杯可疑的睡前牛奶…再一次认识劳拉帕尔默笑声尖锐眼中含泪歇斯底里的黑色嘴唇there ain't no future here宿命感并不来自观众早已知晓结局的事实而是男女主精彩的绝望表演刚才还是得意洋洋的恶棍下一秒是罪恶蚀心的父亲他们都曾是红色房间里的主角
4.5 love it, even though the line between fiction and reality is supposedly clear particularly after 2nd viewing (obviously, the execution, the writer, the attempted suffocation by pillow scene are all imaginary) , there are still lots of postmodern smoke and mirrors and humors left (what the heck with all the bleeps, what does alien abduction mean, and at the very end, is Petrov just returning home ALONE? and his house becomes a dollhouse! Has he always been alone and the entire film is his comic work?). Now the cliched praise: dashing camera, surreal transition, 3-act structure each in its own shooting style and lighting invoking distinct emotions and motifs undercutting one another.